You’ll notice when using the plugin that it really increases the perceived loudness of your audio track or mix, allowing for levels to be increased without making them sound too processed like other plugins such as Maximizer would do so in comparison. The first function is the main dial with which you can introduce more harmonic distortion and compression. Saturation by Softube is a small plugin that only has 2 functions. However, be sure not overdo it! Saturation should always help give depth but never cover up what was there before.
If you’re using a plugin on an individual instrument or sound file, for example if I wanted to add distortion without increasing volume because of limitations with my speakers and headphones, then one can apply significant levels of saturation while still maintaining fidelity by keeping the amount set below 1% THD (total harmonic distortion) as this is where most people start hearing audible artifacts in their music when they have any kind of equipment good enough for serious listening. When it comes to saturation plugins, how you use them will depend heavily on the signal that you’re saturating. In addition, by being able to use oversample mode (which increases sensitivity) – as well
The first step of my process involved activating both low and high pass filtering within the Side-chain section these were important because they would be affecting just the middle frequency range after everything else has been mixed together seamlessly once more. Lastly, in order not to clip any audio at all while recording it’s best to slightly reduce output volume during a session when you’re done with your song or project for final mastering purposes! To make sure this would work, I enabled oversampling so that quantization accuracy is improved which will help avoid peaking later on. The last thing I did was enabling low and high pass filters to affect only the mid-range frequencies. This resulted in an overall boosted vocal timbre without clipping any peaks too much! For example, with this specific one I wanted my track’s mid-range section amplified a little more than usual, so I used its “Mastering” mode on these sections while using gentle compression over other frequency ranges from low-mids up until high-end highs. This particular compressor has many settings that allow you to customize it perfectly for your needs. It has a mastering algorithm that is perfect for subtly compressing and amplifying different parts of the sound spectrum, such as midrange frequencies (which are typically located in vocals or guitars). You can use the FabFilter Pro-C2 compressor to master your tracks.
With oversampling enabled later on as well (which reduces peaking), you are left with an even better sound than before! I also ensured transients were retained through these changes, which made for a more impressive kick, vocal, and high-hats. I also took my time to experiment with the attack and release of each band in order to make sure that distortion was eliminated. Although any change made could make other aspects worse while bringing out new parts (like changing dynamics), what matters most about mastering music is making sure nothing stands out negatively overall!
When doing mastering like this, it’s important that there are no loud areas because they may cause distortion if pushed too far before reaching 0dB once again. You need a range of frequencies from low and high, so you should set up some bands with this compressor by enabling it on each section separately for instance, “bass” or “highs.” This is done when setting parameters such as amplitude and how responsive the signal will be in relation to changes. You can use multiband compression to master your audio track using the FabFilter MB Multiband Compressor.
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